Wednesday, June 16, 2010

Pixar Feature Film #2: Finding Nemo

2. Finding Nemo (2003)

Director: Andrew Stanton

Starring: Albert Brooks, Ellen DeGeneres, Alexander Gould, Stephen Root, Geoffrey Rush, Andrew Stanton, Bob Peterson


It seems as though Finding Nemo is Pixar's prestige or flagship piece, as it was their most commercially successful effort, and I believe a lot of people have seen this who maybe haven't browsed the rest of the library. Its gross was $867,893,978, which was nearly unheard of at the time for a G-rated film. It is the best selling DVD in the world with over 40 million sold. Unlike oddball films like Ratatouille and Up, this film is almost universally endearing. It really defined the classic Pixar modus operandi of a character's journey toward self-improvement; the appreciation of friends and family through venturing out into the real world. There is suspense throughout this one, but the real heart of the movie is in the message: the difficulty and importance of letting children develop their own identities. The one flaw that it has is that there are WAY too many characters. It seems like there are many who are in the film for only a minute or two. How can kids keep track of them all? Everyone knows Marlin, Nemo, and Dory, but there's also Crush, Bruce, Gill, Bloat, Peach, Gurgle, Bubbles, Jacques, Nigel, Squirt, Mr. Ray, Anchor, and Chum. Of course, Crush (voiced by Andrew Stanton) kind of steals the show, and even has his own Disneyland attraction.


And do you think I saw it in the theatres? Heck no. As a first year university student who knew everything there is to know about everything, I was still a snob against animated films. But when I rented this one on DVD, it sure smartened me up and reminded me that there is a world outside of live-action.


Finding Nemo won the Oscar for Best Animated Feature; the first win for Pixar in the category. It was also nominated for Best Music, Original Score, Best Original Screenplay, and Best Sound Editing. Should have been nominated for Best Picture, but there was an unusually strong field in the category that year (Lord of the Rings: Return of the King, Lost in Translation, Master and Commander: The Far Side of the World) although it did pick up the Globe nomination. It dominated the Annies, winning 9 against respectable competition (Brother Bear and Les Triplettes de Belleville)


So, only one more left to go, and if you've been paying attention, you know exactly which one it is...


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